Batik Art On The Decline Due to Poor Guidelines

Zainal Abidin Hj Ibrahim, local Brunei batik artists and textile designer during an interview with The Brunei Times. Picture: BT/Quratul-Ain Bandial

LOCAL art veteran Zainal Abidin Hj Ibrahim has bemoaned the state of the current batik art scene, saying it has stagnated due to lack of proper guidance and instruction for art students.

A pioneer in Brunei's batik scene, Zainal Abidin Hj Ibrahim , 62, has been very vocal about the dearth of talent to carry on the centuries-old tradition of batik painting, made famous by artists like Singaporean Sarkasi Said Tzee and Malaysian Ramsay Ong.

In an interview at his Beribi showroom, Zainal Abidin Hj Ibrahim  spoke about the current batik art exhibition at the Waterfront Gallery, which he called "disappointing".

While the exhibition starts off with works from some of the genre's greats - like Sarkasi said Tzee and Ramsay Ong - and even some of Zainal Abidin Hj Ibrahim's own paintings, he said the amateur works produced from a series of batik workshops for young artists lacked depth.

"What I saw is very disappointing - not much improvement... I look at student's work and nothing. I don't see any talent or something to be proud of."

"I can't blame the students, it is those who teach it who don't have pure knowledge, or are knowledgeable about the process of batik."

Producing batik is an arduous process which can take weeks, by melting wax on to the canvas before hand-dyeing it a series of colours to create the desired image or effect.

"I think it is their approach whether they are ignorant about the process of batik or don't really care about what is art," said Zainal Abidin Hj Ibrahim.

"Batik is a process of art and here I see no direction at all."

With more than 40 years of experience including a brief stint as a fine arts instructor at local university Zainal Abidin Hj Ibrahim  has vast experience in batik, from traditional methods to using digital tools to create motifs.

He said most art instructors in schools and workshops are not experienced enough to steer young talent.

"They just see, they just listen, take a one or two day workshop then start teaching people. This may be a good way to promote (batik artwork) but the proper way to do art is you must have a system and be disciplined."

"Of course art can be experimental you can be immersed in different elements. But you must be immersed in art, the proper technique of doing it. That is part of their failing that they cannot achieve quality."

The fact that the Waterfront Gallery exhibition does not display any recent batik paintings since 2004, speaks to the scarcity of quality local artwork, Zainal Abidin Hj Ibrahim  lamented.

"I went the other day and thought this is ridiculous work. If I was a teacher I would fail them."

He said there a few local veteran artists who, although may not use batik as their main medium, are well-versed in the genre and could offer much-needed guidance to students.

"We need to involve veteran artists so they can guide the young ones. These people (students) are creative but they need proper technique. So at the end they produce something subpar or has no meaning and it's a pity."

However, batik painting is a dying art not only in Brunei, but in the region as well. In the past five eyars, Zainal Abidin Hj Ibrahim  himself has largely moved away from batik painting and into commercial textile production as a batik apparel designer.

He has a traditional batik workshop in Solo, Indonesia where he produces his hand-made textiles, and send his digital motifs, created on Adobe Illustrator and other software, to be made in South Korea.

The veteran has participated in a number of international textile exhibitions, including the World Expos in China and South Korea, where he was able to attract the interest of international buyers.

"Most batik artists feel like there is no market for the paintings, so they move into textile batik design. It is a sad truth."

The Brunei Times.
http://www.bt.com.bn/2012/12/23/batik-art-decline-due-poor-guidelines

Batik Artwork On Display

THE Brunei Museums Department launched its collection of batik exhibition yesterday featuring acclaimed Asian artists Ramsay Ong, Sarkasi Said Tzee and Zainal Abidin Hj Ibrahim.

A total of 45 pieces of batik artwork, produced between 1960 and 2004, are showcased at the art gallery overlooking the capital's waterfront. The latest pieces were created by local amateur artists during a series of batik workshops, while the earlier work belong to Ramsay Ong, Sarkasi Said Tzee  and Zainal Abidin Hj Ibrahim.

Batik workshops were conducted in 2004 for secondary school students as well as a one-off session for adults resulting in 29 amateur artwork.

According to Noraidah Hj Nasir, executive officer at the Brunei Museums Department, the exhibition aimed to promote batik among the wider public in line with the department's efforts to preserve traditional artwork.

"The earlier pieces of art were chosen, because they haven't received much exposure lately. We hope visitors to the art gallery will develop a deeper appreciation for the art of batik," she explained.

Until January 14, members of the public are invited to view the batik exhibition. The art gallery is open daily from 9am to 5pm except on Fridays when it is open until 11.30am. On Saturdays the art gallery will open from 9.45am to 5pm.

The Brunei Times.
http://www.bt.com.bn/2012/12/19/batik-artwork-display-waterfront-gallery

BAF's Sunday Seni comes to a close

Expatriates and locals alike trying their hand at batik art during Brunei Art Forum's art exhibition at the BSB Waterfront. Picture: BT/Zatty Joanda

LOCAL young artists from the Brunei Art Forum (BAF) gathered together once again after a three-weekend hiatus to put together an exhibition to continue the art exhibition that was launched last month at the Waterfront Gallery to commemorate this year's National Day.

The art exhibition featured a number of art works that were on display ranging from traditional oil and acrylic paintings of the local scenery to abstract and installation art that was set up by the Brunei Art Forum BAF. 

The artists have drawn their inspiration from 10 chosen words in accordance with the exhibition's theme.

These words include "tradisi" (tradition), "keamanan" (peace), "alam" (nature), "kesegaran" (vibrant), "dongeng" (tales), "kekayaan" (wealth), "tekstur" (texture), "kedaulatan" (sovereignty), "rakyat" (people) and "kehidupan" (life). 

Yesterday's event was dubbed as "Sunday Seni" or loosely translated as "Sunday Art" as not only did visitors of the exhibition had a first-hand try at batik artwork but were also treated to a different kind of art which included poetry-reading and music.

The batik art had an encouraging response from visitors as the batik art classes were held from 10am to 2pm and according to a member of BAF, the visitors still kept on coming to try out the batik art. "We cannot say no to them and we will continue on while our resources are available," said a member who opted for anonymity.

Visitor Lee-Ngee who works for a local private company was at the batik classes accompanying her son, said, "I think it's a really good event. It's definitely a good avenue to promote the talent, their passion and their skills."

Lee-Ngee found out about the event via social site, Twitter and made it a point to pay a visit to the exhibition and stated that she was impressed by the exhibition. 

"To actually organise something like this and to promote it to the community is an achievement, something we should applaud the volunteers. I have learned something that I've not known how to do (batik design) before. You get to appreciate the work but more importantly to get to know the young people with so much talent and wanting to show to the community, it is a culture," she said.

The art exhibition also saw a number of expatriates as friends, Wendy Haldane and Sue Longstaff also had a go at the batik art class.

Wendy Haldane said to The Brunei Times, "We've only lived here for a few months. It's clearly a much smaller place than the UK so we have to look a little harder to look for it (art scene). I can see the country wanting to make an effort to have new and, especially, artistic things. I think think there is a long way to go but there are more ideas that can be contributed by us (expatriates) to help the art scene here."

Agreeing to her friend's comment, Sue Longstaff added, "The woven silk (songket) is absolutely beautiful here in Brunei. That can definitely be made into pieces of art. My son came here during christmas and he is currently doing 'A'-Level Art. He took loads of photographs of the water village and he is, at the moment, translating it into his paintings back in Britain. He is inspired by Brunei."

Yesterday was the last weekend for the BAF's art exhibition. According to the exhibition coordinator, Syen Sofian, "The exhibition has been going from the middle of December and for February since it is in conjunction with the National Day, it is called 'Art Warisan, Heritage Seni' under BAF art exhibition."

He added, "We want people to understand that art is not just what we are doing, painting, sculptures, we have opened a pathway for installation art and other mediums. We invited other groups involved in the poetry scene and music scene to participate today, that's why we call it "Sunday Seni". This is a very casual set-up so they can perform their poetry and music."

The Brunei Times
http://www.bt.com.bn/happenings/2012/02/20/bafs-sunday-seni-comes-close

Batik Desamas Goes Digital Designs

Some of the batik products are displayed at Batik Desamas' Brunei exhibition booth during a recent exhibition in South Korea. The company is using technology to mass produce its designs. 

INNOVATION does not necessarily have to be in the form of a product or service; it can be a system in the production process, and this is the idea behind digital batik, an innovation introduced by a local batik producer and designer Zainal Abidin Hj Ibrahim.

Under his firm Batik Desamas, Zainal Abidin Hj Ibrahim. hopes to design his way out of Brunei into the world, through a system he created which applies both the traditional method of hand-drawing as well as computer-generated graphics.

A pioneer in Brunei's batik scene, Zainal Abidin had started hand-printing batik since 2000. However, it was only during the last five years that he became more active in the business, during which he had participated in a number of international textile exhibitions such as Shanghai and South Korea, where he was able to attract the attention of the international audience of his batik artwork.

His goal is to mass produce his designs for the international market. However, he said that the traditional method of producing Batik is not enough to meet the global demand. 

He revealed that hiring more workers remain a challenge for the batik business, as there are only a handful of batik designers who are up to the tasks. Traditional methods of preparation also requires more time and effort in order to produce a certain amount of batik.

"The times have changed. We need to innovate if we want to grab the worldwide market. We cannot just sit and rely solely on the traditional process," he said.

However, Zainal Abidin was unable to meet the criteria to sustain a profitable trade with global partners due to the lack of facilities for mass production, and hence turned to the Brunei Economic Development Board (BEDB) for aid. 

The firm received funding from the BEDB under its Local Enterprise Applications Products (LEAP) programme, a grant worth $150,000 to aid the firm in the development of a prototype of its intended innovation. The firm was one of the eight recipients who were successfully shortlisted for the grant earlier this year.

"The funding allows me to easily explore to other places and discover new ideas and technologies which can be applicable for this system," he said.

Using advanced software and engineering which he was able to outsource to another country, Zainal Abidin was able to transform his hand-drawn work into digital form, which allows his artwork to be replicated for mass production.

"Every batik designers and enthusiasts agree that the best batik are the ones that are traditionally hand-drawn by its artists, and so that essence is still preserved in this system," he said.

He also said that the Batik needs to have its own identity, not just to preserve the authenticity, but also to promote the origins of the product and giving it a distinct Made-in-Brunei brand.

"Our designs must be distinct to that of the Javanese and Malaysian batiks, and must possess the motifs of our Bruneian culture," he added.

He said that one advantage of going digital is that it allows for low-cost production of batik textile, and thus bringing costs down for consumers.

"When hand-drawn, it takes a lot of effort, and so the batik has to be sold at a premium. Furthermore, going digital enables us to reach all market sectors, and majority of them are price-sensitive. That's the market we are after," he said.

He said the technology will also allow his digital batik to be applied for the creation of a variety of other products imbedded with his design.

He said that most foreigners were mainly impressed with his batik designs and there was demand for the designs to be imbedded into a wide variety of products such as shirts, scarfs, neckties and bedsheets, among others.

"There is a high demand for that in the outside market, particularly in South Korea," he said. 

He said that the prototypes of his products are already in production, and he is now looking at potential markets for distribution, with South Korea already expressing strong interest.

Brunei Times
http://www.bt.com.bn/business-national/2011/11/16/batik-desamas-goes-digital-designs

The Search for 'Identity' in Brunei Batik

On Sunday(31.5.2009) i have a long conversation with my friend Awg Zainal Abidin Ibrahim at his Batik Shop in Sumbangsih Mulia Building at Beribi Industrial estate, Brunei. l have known Zainal since our student days learning Art in Kuala Lumpur. Since then,we have been good friends.

Zainal Abidin Hj Ibrahim with his batik product

What interest me to have a conversation today is to ask about his search for an identity in the making of Brunei Batik.Zainal is so keen to develop 'motifs' that can carry something about Brunei. He believes that any artist/batik entrepreneur should develop motifs that are different from what others from any region have shown in their work.lt is only after having our own 'motifs' that we can claim the work as ours.
'How do you start this journey in developing the Brunei motifs in your Batik Art? How do you proceed in this search? What have you achieved so far? These are the three questions that i have asked Zainal in my conversation.

Zainal Abidin Hj Ibrahim and his batik product

Zainal Abidin Hj Ibrahim's explanation started by pointing out that Batik can be done by four different ways i.e by hand-drawing batik, using metal blocks, screen printing and digital printing. One has to master the technical aspect before proceeding to the search for content (motifs and design).

The 'content' part of the Batik is where the design lies and the manipulation of design can developed to the finding of 'identity'. Zainal believes that the understanding of Brunei Culture, the society and the practices should be the basis for his search in the Brunei Motifs, After a series of study, he found out that most design motifs in traditional crafts of Brunei be it from woodcarving, weaving and house decorations was mainly adopted from the local flora and fauna. Most of these traditional motifs appear to be used widely in the local culture''.

His second step is to manipulate the shapes of the Simpur flower i.e the national flower of Brunei to become an interesting design. He believes this can bring out some new motifs.ln fact he have done many series of designs from the Simpur flower. Another of his effort is to combine the Cengkeh Flower as another shape in his design. Cengkeh shapes have been used in the local designs. So what is the result of his adventure in incorporating these ideas. ln this post i have put some photos of Zainal's design for his Batik Artwork.

source :
http://diariseni.blogspot.com/2009/06/search-for-identity-in-brunei-batik.html